On the Animation of Statues
By Brian Cotnoir
Is a collection of quotes, primary sources, notes and comments on the late-antiquity practice of “ensouling” statues in order to commune with the gods. Drawing from Iamblichus, Proclus, Greek Magical Papyri, Corpus Hermeticum, hymns, poetry and music, although the practice is never explicitly described, a hazy outline emerges. One thing, the composition of statues and talismans is, like alchemy, a hieratic art.
Included is a translation Michal Psellos’ Epistle 187 a text on the animation of statues.
By Brian Cotnoir
Is a collection of quotes, primary sources, notes and comments on the late-antiquity practice of “ensouling” statues in order to commune with the gods. Drawing from Iamblichus, Proclus, Greek Magical Papyri, Corpus Hermeticum, hymns, poetry and music, although the practice is never explicitly described, a hazy outline emerges. One thing, the composition of statues and talismans is, like alchemy, a hieratic art.
Included is a translation Michal Psellos’ Epistle 187 a text on the animation of statues.
By Brian Cotnoir
Is a collection of quotes, primary sources, notes and comments on the late-antiquity practice of “ensouling” statues in order to commune with the gods. Drawing from Iamblichus, Proclus, Greek Magical Papyri, Corpus Hermeticum, hymns, poetry and music, although the practice is never explicitly described, a hazy outline emerges. One thing, the composition of statues and talismans is, like alchemy, a hieratic art.
Included is a translation Michal Psellos’ Epistle 187 a text on the animation of statues.
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Khepri Press
Leaflet Zine, 34 pages.
About the Author
Brian Cotnoir is an alchemist, artist and Emmy award-winning filmmaker. His books include Alchemy: The Poetry of Matter, Practical Alchemy: A Guide to the Great Work, Alchemical Meditations, On the Quintessence of Wine and the Emerald Tablet. His film work has been screened at the Museum of Modern Art, Sundance Film Festival, HBO, PBS and other international venues.
Description
Is a collection of quotes, primary sources, notes and comments on the late-antiquity practice of “ensouling” statues in order to commune with the gods. Drawing from Iamblichus, Proclus, Greek Magical Papyri, Corpus Hermeticum, hymns, poetry and music, although the practice is never explicitly described, a hazy outline emerges. One thing, the composition of statues and talismans is, like alchemy, a hieratic art.
Included is a translation Michal Psellos’ Epistle 187 a text on the animation of statues.
